I have worked in film and video production for more than twenty years in a variety of roles and in none more passionately than that of sound recordist. I love the subtle magic that happens when good sound elevates a piece to its full, dynamic potential. I've recorded sound in office towers and in a driving rain on a forested mountain slope, underwater and in a Los Angeles comedy club. I pride myself on maintaining the necessary knowledge and gear to do my job at the highest level and when I
commit to do a job I happily throw myself into the effort to make
that project as successful as possible.
One day on set a child pointed up at his boom pole and exclaimed, “hammer!” “Yes…sound hammer,” Dicky replied, grinning, and the legend was born.
“Dicky’s production tracks were some of the best production sound I’ve ever worked with!”
Evonne Moritz, editor 'Empire' TV Series
Sound Devices MixPre10 Mixer/recorder, Lectrosonics wireless transmitters and receivers, Sennheiser MKH 50 & 416, K-Tek Boom Pole, Tentacle Sync Kit, Sanken Cos 11-D lavalier microphones, Comteks